Biography

Ross is a Senior Lecturer in American Studies. His publications include the monographs Ronald Jonson’s Modernist Collage Poetry (Palgrave, 2010), Avant-Folk: Small Press Poetry Networks from 1950 to the Present (Liverpool University Press, 2016), and Brilliant Absence: Pursuing the Kingfisher in the Work of Hans Waanders (Uniformbooks, 2019). Ross is also the co-editor of Harry Smith’s Anthology of American Folk Music: America Changed Through Music (Routledge, 2016) and Minting the Sun: A New Selection of Ted Walker’s Poetry (Chichester University, 2010). His research has been published in numerous journals including Contemporary Literature, Modernism/modernity, and Word and Image.

Ross’s poetry has appeared in a number of poetry British and North American magazines such as Shearsman, LVNG, and The Cultural Society. Ross’s pamphlet, An Anthology Gathered for Shirley Collins, was published by Longhouse Publishers in 2012.

Ross’s research is concerned primarily with North American and British literature and culture. He is particularly interested in modern and contemporary poetry; small press publishing and its cultures; and the intersections between literature, music, and visual art. Earlier work explores the various ways in which unofficial, interfacial landscapes have been represented in poetry and creative non-fiction. Ross has also written on mid-twentieth-century American imaginings of the ‘English’ landscape and the complex transatlantic textual Arcadias of contemporary pastoral poetics.

Ross's current research is concerned with tracing and assessing the shaping influence of serialism, information aesthetics, and systems theory in twentieth-century avant-garde literature, art, and music.  

Ross welcomes applications from prospective applications from PhD students who are wanting to work in any of these research areas.

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